Tuesday, 16 October 2007

Excellent music dude blog, not too arsey

Pulitzer at think denk
And then, it hit me like a further lightning bolt: the “true theme” only emerges when Beethoven does the subject in the INVERSION … and isn’t “inversion,” sexually speaking, the sidesplitting eternal joke of Jack Ritter’s presence in the apartment with the two buxom babes? How could even a great genius like Beethoven know what the Three’s Company theme and subject matter would be, one hundred and fifty years before it was even a twinkle in the eye of a television producer? It was as if—and this seemed hard to believe—Beethoven had written the entire Sonata just to bring the theme of Three’s Company into life …

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